License: Free Author's note: Souvenir is a TTF available for MAC src:url( /fast.fonts.net/dv2743-c7ff-4020-b9a0-4dbc578fea4c.eot?d44f19a684109620e484147fa790e81859e92aaaea3d337f84586d5df8888fe5455f55e0f83ed0be044ddfaa95e824a4b1318d5b552aaa24a44025e9 src:url( /fast.fonts.net/dv2743-c7ff-4020-b9a0-4dbc578fea4c.eot?d44f19a684109620e484147fa790e81859e92aaaea3d337f84586d5df8888fe5455f55e0f83ed0be044ddfaa95e824a4b1318d5b552aaa24a44025e9 @font-face font-family: ITCSouvenir W01- Light Ita ;src:url(.
Souvenir is a serif typeface designed in 1914 by Morris Fuller Benton for American Type Founders. It was loosely based on Schelter- Antiqua and Schelter- Kursiv, a 1905 Art Nouveau type issued by the J. G. Schelter & Giesecke foundry in Leipzig.[1] It has a much softer look than other old style faces, with a generally light look, rounded serifs, and very little contrast between thick and thin strokes.[2] Like Cheltenham, it shows the influence of the Arts and Crafts Movement without belonging to a specific historical style. A 1970s redesign by Ed Benguiat, adding extra styles and an italic, became far more popular than the initial release, and is the source of most versions sold today. At the time of its issue it achieved only a moderate popularity but was known as the printer's friend because of its forgiving qualities on press. In the 1970s, because of its friendly, curving structure, it became very popular in uses such as in body text of educational material and for headings in book printing. Historians have described it as 'laid-back 'the friendliest of Benton's designs' and as 'like Times Roman dipped in chocolate'.[3][4][5] Contents 1 Cold Type Copies 2 Hot Metal Copies 3 Digital Copies 4 Reputation 5 References 6 External links Cold Type Copies[edit] In 1967 Ed Benguiat licensed the design from ATF and re-drew the face for the Photo- Lettering Corporation. When the International Typeface Corporation ( ITC) was formed in 1971 it not only issued this design as ITC Souvenir but hired Benguiat to draw additional weights. He even added swashes for each variant, thus increasing its attractiveness. It was the bold and demi-bold weights that subsequently achieved a ubiquitous popularity, leading to it being made available for photocomposition by all the leading producers under the name Souvenir by Alphatype, Berthold, Compugraphic, Dymo, Harris, Star/ Photon.
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