This is a master song list for Andamiro's Pump It Up video game series. Pump It Up features the in-house musician Ban Ya (separated artists are Yahpp, Msgoon and Ban Ya Production who were responsible for original songs in the series under dance pop, rock, heavy metal, jazz, folk, progressive and house genre, including the remixes of classical pieces such as Canon- D, Turkey March and Moonlight. In Pump It Up Fiesta, MAX, Doin and SHK (originally from O2 Jam) joined as new in-house musicians. Also, from Pump It Up 1st Dance Floor and onward are the large number of licensed K-pop songs from popular South Korean artists. Starting with Pump It Up Premiere and onward, the international songs are included mostly from North America, Latin America, Mexico, Brazil, China, etc. In almost every version, Ban Ya were also responsible for nonstop remixes that mixes numerous K-pop and world music songs, especially original songs (examples are J Knows that Old Bong, World Remix, Turkey Virus, K-pop Dance, Chicago Club Mix, etc. but they are available in Remix Station ( Special Zone in NX) and/or World Max in NX2 and NXA ( Quest World in Fiesta). Starting Exceed 2, full songs are added only in separate stations. The background animations, or BGAs, are contributed to almost every song in Pump It Up series to add multimedia along with the song played, but some are generic in-game BGAs for remixes and full songs (especially regular songs when the visualizers have insufficient time to release until the next update or arcade mix). Some of these BGA's differ from each other, meaning they are visualized by numerous artistso, but most of them are uncredited in unknown reasons. In Pump It Up Fiesta EX, it marks the first game since Pump It Up 3rd Dance Floor ( Ban Ya's An Interesting View ) where the visualizers are credited. These artists or animators can have either worked with Andamiro.
Hola Amigos De You Tube. Hoy Les Vengo Con Este Espectacular Juego Que Fusionan El Juego De Soccer Con Lo Mejor Del Free Style: El Urban Free Style Soccer.
Inside the steaming walls of a nightclub in the heart of one of the world’s most dynamic cities, you can hear the sounds of the future. Hundreds of people gyrate rhythmically as a DJ spins hot beats. On stage, a pair of rappers face off, microphones in hand, trading verses of improvised rhyme. They look like typical hip-hop artists, dressed in baggy pants and baseball caps. But listen closely and you notice something unusual: They’re performing in Chinese. One rapper spits out words in a distinctive Beijing accent, scolding the other for not speaking proper Mandarin. His opponent from Hong Kong snaps back to the beat in a trilingual torrent of Cantonese, English, and Mandarin, dissing the Beijing rapper for not representing the people. The crowd goes wild, raucously voicing delight and dismay. This annual rap battle, called the Iron Mic, isn’t taking place in New York or Los Angeles, but in Shanghai, where its founder, 32-year-old Dana Burton, has unexpectedly found fame and fortune. The Detroit native arrived in China in 1999 to take a job teaching English. During his first week in town, he went to a nightclub that advertised hip-hop music. But the closest thing to hip-hop was a Michael Jackson impersonator. So, Burton embarked on a mission to bring the real thing to the Middle Kingdom. I thought about what I could offer China, he says. It was hip-hop. Burton began to moonlight as a rapper and developed a following. He not only performed himself but also helped others — foreigners and Chinese — get their own acts off the ground by hosting parties and hip-hop nights such as Iron Mic. Admirers called him the godfather of Chinese hip-hop. Burton soon began to promote tours for famous hip-hop artists visiting from the United States. Today, multinational corporations including Intel, Coca- Cola, and Adidas turn to him when they want help in marketing their consumer goods.
Download Now